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Literature and Its Writers: A Compact Introduction to Fiction, Poetry, and Drama, by Ann Charters, Samuel Charters
Ebook Free Literature and Its Writers: A Compact Introduction to Fiction, Poetry, and Drama, by Ann Charters, Samuel Charters
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Literature is a conversation — between writers and other writers, and between writers and readers. In Literature and Its Writers, Ann and Samuel Charters complement a rich and varied selection of stories, poems, and plays with an unparalleled array of commentaries about that literature by the writers themselves. Such "writer talk" inspires students to respond as it models ways for them to respond. In the fifth edition, the Charters continue to entice students to join the conversation, with adventurous and intriguing new literary works, new literary traditions to discuss, and new features that help them participate as readers and writers.
- Sales Rank: #98856 in Books
- Published on: 2009-09-25
- Original language: English
- Number of items: 1
- Dimensions: 9.29" h x 1.80" w x 6.00" l, 3.00 pounds
- Binding: Paperback
- 1808 pages
About the Author
Ann Charters (Ph.D., Columbia University) is a professor of English at the University of Connecticut and has taught courses in the short story for over thirty years. A preeminent authority on the Beat writers, Charters has written a critically acclaimed biography of Jack Kerouac; compiled Beats & Company, a collection of her own photographs of Beat writers; and edited the best-selling Portable Beat Reader. Her most recent books are The Kerouac Reader, Selected Letters of Jack Kerouac, 1957-1969, Beat Down to Your Soul, and The Story and Its Writer, Seventh Edition, available in full and compact versions.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great book
By Mike
I bought this book for my ENG102 class. This book was used almost every class during class and for homework. It is full of short stories and poems. It has a lot of good stories and was a necessity for the class. I bought the book new and it came in perfect condition. I would definitely recommend buying this book if it is required for the course.
8 of 8 people found the following review helpful.
Excellent choice for introductory literature classes!
By David Fortnight
I am a part-time ("adjunct") professor at a California community college, and I switched from using another LARGE literature anthology to this one for English 1-B for the following reasons:
1) Very good selection of readings, including a smattering of very contemporary authors like Edwidge Danticat and Sherman Alexie, a section on "small press" poetry and poets, and so on.
2) I found on opening the book the first time that for Faulkner's story, "A Rose for Emily," there is an excerpt of an interview with Faulkner where he recalls what image (in his mind) inspired him to write this story--very informative, good supplement to the story, and a more personal artistic element that I haven't found in other anthologies.
3) The price is high--but not as high as some other anthologies, at least for the paperback edition. I try to give my students SOME break in the governmental and corporate campaign to bankrupt them (seemingly) by the time they are educated!
6 of 9 people found the following review helpful.
Prefer 5th Edition to 6th
By SD
I adopted the 5th edition of this text because I liked the text selection and the critical apparatus. I would note in particular: the student accessible section on "Critical Perspectives and Literary Theory" (though some of that material seems a bit dated), the theme-reinforcing "Conversations on Stories and Storytellers" pieces, and the suggested connections between selections in the anthology. Part of the text's charm, too, is its inclusion of contemporaries -- like David Foster Wallace in the 5th ed and Lydia Davis and Roberto Bolano in the 6th -- alongside more frequently anthologized authors.
Some of the changes for this edition make the text a bit less useful for my purposes, however. "Address and Tribute" section has shrunk and appears to clip out, for instance, Ezra Pound's A Pact, which would have been an excellent short piece to retain given the healthy Whitman excerpts, the section devoted to Imagism, and Pound's nonfiction exposition on Whitman. Why did we lose that? The 5th ed David Foster Wallace selection "Good People" (which pairs so well with Hemingway's "Hills Like White Elephants") has been replaced by a much shorter Wallace story. "Good People" now appears in the most recent edition of The Norton Introduction to Literature, incidentally, which is probably what I'll end up adopting for my sections this Spring.
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